Morgen has the energy of ten people, and she is a great mentor for aspiring writers. I don't think she ever sleeps, but she drinks tea, not blood. Without any further blathering...
There are three components to most stories:
character, setting (location) and plot. The most important is the character
because if you have a character the reader cares nothing for, you can have the
best plot but it falls flat because the reader isn’t interested in what happens
to your protagonist. If they do, then your next job is to make your plot
engaging.
Stories (of any length) are usually made up
of a mixture of dialogue and description. Dialogue usually speeds up the story
whereas description, especially if a chunk of it, slows it down.
The genre you’re writing can also determine
how you want to write. A fast-paced thriller will automatically need shorter,
sharper sentences than a slow-burning historical saga.
I cover ‘Direct vs indirect action’ on my http://morgenbailey.wordpress.com/writing-101
page where I say, “Try and make your writing as direct as you can. What do I
mean by that? Have the character (Ted) throw the ball rather than say “The ball
was thrown by Ted”. Also instead of saying ‘Ted saw the train speeding towards
the car’, having the train speeding towards the car means you’re closer to the
action. Your readers will appreciate it as your writing should already have
them feeling like they're Ted.
You also don’t want to make your chapters
too long. I read (and enjoyed) Graham Hurley’s debut novel, Nocturne, but at
three 100-page chapters, it felt more disjointed because I wasn’t stopping at a
natural break – I rarely read novels in one sitting. This is possibly one
aspect of why James Patterson novels are so popular; because he has very short
chapters. One of my favourite books is his / Michael Ledwidge’s ‘Step On A
Crack’, a fast-paced heist thriller.
I’ve titled this article ‘pacing in
novels vs short stories’ because they do differ. While you can elaborate in
novels, every word really does have to count in short stories. You don’t have
the space to go into depth, to have long passages of description, however
beautiful it might be. Of course, your readers will want different things from
your writing; I glaze over detailed descriptions whereas one of my writing
group poets loves them. I love reading and writing
flash fiction so they tend to be short and snappy.
Of course the lack of quantity doesn’t mean
you can skimp on the quality. Your reader still wants to be entertained, learn
something new, feel for your characters but they also want there to be a risk,
a dilemma. Having your character sitting around drinking cups of tea may be
company for them, it serves little purpose, unless there’s a wrecking ball
looming over their veranda and they’re sipping Earl Grey, blissfully unaware.
To ensure your narrative drive, every scene has to have a reason for being
there, your writing has to grip the reader, want them to know what happens
next, that the characters they’ve grown to care for are going to be OK.
Readers should remember your book for all
the right reasons and finish the last page feeling happy, drained –
both is the sign of good writing – if that’s how you feel after you’ve written
it, then it’s definitely a job well done.
What’s the ‘fastest’ story you’ve read? Do
you have any of your own tips for speeding up a read, while not losing
enjoyment?
Morgen
Bailey
Based in
Northamptonshire, England, Morgen Bailey (“Morgen with an E”) is a prolific
blogger, podcaster, editor / critiquer, Chair of NWG (which runs the annual H.E.
Bates Short Story Competition), Head Judge for the NLG
Flash Fiction Competition and creative writing tutor for her local council.
She is also a freelance author of numerous ‘dark and light’ short stories,
novels, articles, and very occasional dabbler of poetry. Like her, her blog, http://morgenbailey.wordpress.com,
is consumed by all things literary. She is also active on Twitter, Facebook along with many
others (listed on her blog’s Contact
page).
She also
recently created five online writing
groups and an interview-only
blog. Her debut novel is the chick lit eBook The
Serial Dater’s Shopping List and she has six others (mostly crime) in the
works. She also has several short story collections and writer’s block
workbooks available on Amazon.com and Amazon.co.uk.
