Showing posts with label Yvonne Hertzberger. Show all posts
Showing posts with label Yvonne Hertzberger. Show all posts

Monday, March 31, 2014

'My Writing Process' - BLOG TOUR 2014! - brought to you by Apple(s)

My excellent friend Yvonne Hertzberger (also a brilliant writer) invited me to do this 'blog tour' thing. Naturally, I assumed it was a cheap come on and informed her that I am a happily married man. Then, I thought she was talking about climbing inside the internet. Then, I thought about the movie 'Innerspace'. Then, I thought, “that was a rad movie, I should watch it!” Then, I remembered I had to answer these questions (Thanks Yvonne!!!) So, I’m answering these questions, and then I’m passing the mic to some awesome writer type folks. Then, I’m going to eat lunch. And I might watch 'Innerspace'. Oh no he didn’t! Oh, yes, yes, I did. Martin Short, baby! (I haven’t forgotten, amigo.)

Yvonne is awesome, check her out. Here’s her post: KAPOW! - and now we rock the roll. Take a shot of whiskey and slap your dog, 'cause these questions are so pointed you might end up blind. 

What am I working on?

I work on multiple projects at the same time. I didn’t do this until I started writing longer fiction. I need a break from novels … they’re long, you know? When I used to write stories exclusively, I generally worked on one until it was done. I wrote some songs during the process, but that’s much different - I'm always writing some shitty song.

Now, when I’m working on a novel, I need to write short pieces. I write a lot of flash on my blog. I still write music. So, the answer is a bit ambiguous. I’m WORKING on the third installment of the Matt Stark series (which will focus on Jo). I’m also writing stories. Some articles. I might even write a song or two. A play? I won’t write a play. I can almost guarantee it. (Unless there's money involved, in which case I will write a play about anything you want. Anything...)

How does my work differ from other of its genre?

This assumes a few things that I am uncomfortable with. I don’t think in terms of genre unless the book is REALLY formulaic. Generally, I consider good books to be good books that may be romantic, adventurous, murder-y, sad, memoir-esque … you get the idea.

But lots of other people think genre is important, and I guess my longer work is mostly “crime fiction” or some nonsense. My feeling is, if the characters are good, the genre is life. Still sounds pretentious. Ironically, I feel it is just the opposite. Let the readers apply 'genre' stickers!

Why do I write what I do?

I write about the things that interest/confuse/befuddle me. I write about the parts of life that don’t make much sense. I get pegged as a writer of “dark fiction” quite a bit, but I don’t quite see it like that. I write about things that really happen in real life. I tend to lean towards dark because the happy, shiny things aren’t nearly as interesting.

How does your writing process work?

I either come up with an idea, start writing it in my head, and then eventually get it down on paper or I just sit down and see what comes out. Usually, the latter. Novels involve more puzzling out, but most of my short stories come from just sitting down and deciding to write a short story. I am a pantser for sure. I don’t think I’d enjoy writing nearly as much if I knew where the journey was headed.

Here’s those awesome writer types I mentioned. They will be answering the above Q’s via their blogs, graffiti, scrawled notes or in any other way they choose on the 7th. Or they won’t. And we will forgive them because we love them.

Jo-Anne Teal

Jo-Anne began writing fiction about three years ago.  She is particularly interested in telling stories of the hidden, the hurt, the silent and the unheard.  Concentrating on flash fiction as she began to develop her writing voice, she now writes short stories and is planning her first novel.

Jo-Anne lives in Vancouver, British Columbia where she happily pursues the writerly stereotype of spending too much time in coffeeshops.

Ed Drury

Ed Drury is a multi-instrumentalist, composer, teacher, instrument maker and author. He combines his experience with classical music and his love for traditional music forms by composing music inspired by his world travels.

Ed lives in Portland Oregon where he teaches, performs, writes and records. He has written and published five books. Two non-fiction books on music and a trilogy of science/eco/fantasy books called the Whale Whisperers Saga.

Teresa Kennedy

Teresa Kennedy is the Editor in Chief of Village Green Press, LLC and the author of more than 30 published books. She has won a Southwest authors award, and the French Pen Faulkner award for her novel, Baby Todd and The Rattlesnake Stradivarius.

Village Green Press LLC offers a full range of services for authors looking to self-publish and those pursuing more traditional outlets.

Big thanks to Apples for being affordable and nutritious. And for making this blog tour possible. 

Wednesday, January 9, 2013

'I told you so.' by Yvonne Hertzberger

Another friend (and another outstanding writer) grabs the mic today. Give it up for Yvonne Hertzberger, everyone. Enjoy the story and check out her books. (Thanks for classing up the joint, Yvonne!)


“I told you so.” She could hear them say it now; smug, grim, condescending smiles on their faces. And they had. That was why she had never been able to go to them, to ask for help. Now she pressed her back into the cramped crawlspace under the family room floor, in the dark. She barely fit her body around the pipes leading to the second powder room.

The family room had been added after the fact, so it had no basement. She knew he couldn’t be bothered to come and drag her out. He didn’t need to. She’d have to extract herself at some point. He’d gloated about it aloud from the top of the stair, enjoying taunting her.

She shivered in the dank cold and placed protective hands over her distended belly. Would she make it 'til morning? If she left her hole now she doubted he would leave her alive this time. How had she come to this? A cramp seized her, making her hitch her breath. Be still, baby. Hold on. Just 'til morning.

A drip fell on her knee from the ceiling. How could that be?  There was nothing wet there.  Oh, yeah, that’s what it was. Piss. He had pissed on the mat over her head. The walls, too, laughing, “Now, clean it up, whore.” She’d never been unfaithful. He knew that. 

This was the first time she had directly disobeyed him, refused to submit to his favourite ‘punishment’.  She’d done it for the baby. It would kill the baby. She shuddered as she replayed the scene.

“Stand up whore. Spread your legs.” He stood there, arms akimbo, feet set firmly apart, waiting – waiting to kick her there. She’d almost obeyed. He usually let her be after that. But the baby had kicked. So she’d turned and run. He had managed a flying kick at her belly as she ducked away from his grab for her hair. She’d made it as far as the stairs, to this hole, just out of reach under the stair - unless he put in some effort – effort she wasn’t worth.  

Another cramp assailed her. Not now, baby, Wait. Wait 'til morning. Wait. Could she hold on?

“How long do you think you can stay there bitch?” Then he changed his tone, laughing as he sang, “Come out, come out wherever you are...” 

She almost cried out as another contraction hit her hard, biting her knuckle to hold back the sound. It might be enough to make him come down after her. She thought about what had triggered him this time. Oh, yeah. Supper. He’d come home late and the chicken had dried out. He’d thrown the searing thing at her, hitting her across her neck. She could feel the burn, now that she remembered. Good thing it hadn’t been the beans. They were sitting in scalding water. 

When another hard cramp called her attention to the trickle of dampness that went past her panties and onto the floor underneath her, she could deny it no longer. Likely caused by that kick to her belly.  Labour. Four weeks early. Not now. Not yet. Oh, baby, hold on. Just 'til morning. 

Morning.  If she could make it 'til then. He’d go to work. He never missed work. He always left, confident that she would be waiting for him when he returned, supper cooked, pretending nothing had happened. He knew she didn’t have anywhere to go; didn’t have the guts to leave him either. It was why he had bought the old farmhouse, far from anywhere. 

They had soon lost contact with her parents. Who had given up first? Them? Had she? Had they ever really loved her? Or only when she was their good little girl? Did they have any idea how she lived, now? Would they care? A lone tear slipped down one cheek. 

Another contraction, stronger than the last brought her back to the present. How long had her reverie taken? Things were quiet upstairs. Had he gone to bed, secure in the belief that she would have his breakfast ready when he woke? How had she missed hearing that? She tried to stretch into a better position. It only caused her to scrape the skin off her left shoulder. 

She listened - and listened. Nothing.  Another contraction. No time to lose. She had to act now or they’d both be dead. Hold on baby. Biting her lip against the pain of extracting herself from her hole, she eased first one, then the other leg out in front of herself and waited for the pins and needles to stop as circulation returned. She crabbed on her rear, feet first, across the small space to the stairs. Holding her breath, praying there would be no noise, she pressed one foot against the door to open it. Good. It hadn’t latched. She listened. Nothing.  Light still seeped out from the living room. Not gone to bed then. Now what? Was he waiting, watching? Panic almost sent her scuttling back into her hiding place. A movement in her taut belly stopped her. 

She eased out further. No sound. Was he asleep in the chair? She levered herself onto hands and knees. Silence. She crawled into the kitchen and reached one hand up to the counter, grabbing hold of it to heave herself to standing. Another contraction made her double over, but she managed to keep one hand on the counter top so she didn’t fall. That’s when she realized where she was. In the drawer below her hand - the knives.  No, she could never do that. Another contraction.  The baby. She had to, for the baby’s sake. Slowly, ever so slowly, she eased the drawer open.  When no sound came from the living room, she let out the breath she had been holding. There it was. The carving knife, the long curved one, the sharpest one. In her hand. How had it got there? She didn’t remember picking it up. She slid one foot in front of the other. She needed to see where he was. She didn’t want to kill him. Only to get away. If he was asleep she had a chance. He was a sound sleeper. It took a lot to wake him.

She peeked around the door. Yes, there he was. A light snore emanated from his throat. His head lolled back into the corner of the wing of his favourite chair, the green one.  Maybe she could sneak out.

A gasp of pain escaped her when the next contraction hit. She froze in panic. Had he heard?

His eyes opened. He regarded her with a laconic, lazy smile. “Now, you don’t want that thing,” he drawled. He rose out of the chair, lithe and alert, like a cat on the prowl. His tone changed to a snarl and he lunged for her - for the knife. “Give me that.”

She jabbed as hard as she could. 

A slow look of surprised crept over his face. His hands went to his stomach where blood oozed around the handle of the knife. 

She backed away. 

He tried to follow but stumbled and fell in the doorway to the kitchen. 

So much blood. She had never seen so much blood. He made it to the counter and gripped it with a slippery, bloody hand. She watched him slide to the floor, a pool of blood spreading under him.

Did I do that? She tried to remember. Had she stabbed him? Had she? Her mind went blank. Another contraction brought her back. She looked at her husband. He lay unmoving, pale. Was he breathing?  She waited, watched. No movement, no rise and fall of his chest. Dead then. My god, what had she done?

The phone. She needed an ambulance.  He had grabbed it and knocked it to the floor when he fell. She sidled over to it and managed to dial 911. “Which emergency service do you require?” 

Help me,” she sobbed,please help me.” The phone, slick with blood, slipped from her grasp. Before she could retrieve it the next contraction cut her short. This one doubled her over and she had to sink to the floor.  The next one came right on top of the last, making her cry out.  She put her hands on her belly. No. Not yet. Wait. We’re almost there. Wait. She forced herself to her knees and began to crawl to the door. Not knowing why, she lifted her skirt to check between her legs. The head. The head was there. Too late. 

She rolled onto her back just before the next contraction. The rest of the baby slipped out. She heard a cry. I’m here, baby. Mama’s here. She gathered the last of her strength, reached  down to lift the wet little body onto her stomach and cradled her hands around it.

That’s how they found her, a drying pool of blood around the placenta on the floor between her thighs. 

The female ambulance attendant took the baby from her lifeless hands and, ascertaining that he was alive and appeared well, quickly cut the cord and wrapped him in a heated blanket. That done, she knelt down beside the still cooling body, the baby in the crook of one arm. She studied the ashen face of the dead mother, then reached out one hand and stroked the hair back from her forehead. “It’s a boy,” she whispered. “He’s going to be fine.” 


Yvonne Hertzberger is a native of the Netherlands who immigrated to Canada in 1950. She is married with two grown children, (one married) and resides quietly in Stratford, Ontario with her spouse, Mark in a 130 year old, tiny, brick cottage, where she plans to live out her retirement. She calls herself a jill-of-all-trades and a late bloomer. Her many past paid jobs included banking, day care, residential care for challenged children, hairdressing (her favourite) retail, and customer service. She enjoys gardening, singing, the theatre, decorating and socializing with friends and family.

Hertzberger is an alumna of The University of Waterloo, first with a B.A. in psychology, then and Hon. B.A. Sociology and stopped ½ a thesis short of an M.A. in Sociology. She has always been an avid student of human behaviour. This is what gives her the insights she uses to develop the characters in her writing.

Hertzberger came to writing late in life, hence the label ‘late bloomer’.  Her first Fantasy novel “Back From Chaos: Book One of Earth’s Pendulum” was published in 2009. The second volume in the planned trilogy “Through Kestrel’s Eyes” is available currently and the third book in the trilogy “The Dreamt Child” is pending.

Amazon:


Wednesday, May 30, 2012

Napping Blogger Award


The mighty RUSH!!!!!!! has seen fit to give me more work to do, and I thank him for it.  See, here’s the thing.  Rush is awesome, and he is a good friend and a good writer.  And I actually took a nap yesterday, which I rarely do.  It is an honor to be included in this group of prolific writers.

I write a lot for a lot of different people in a lot of different places.  It’s a bit like being schizophrenic. 

So, I’ma link back to my boy at http://kdrush.net/.  And I’m going to tell you what I do to relax.  And then nominate five other bloggers.  Them’s the rules.

What I do to relax:

I like to chew glass and get in fights with pitbulls and meth addicts.  I quite enjoy riding my motorcycle.  I like to hang out with my family.  I like to huff …anything really.  I like to write and I used to like reading when I had time to do it.  I like to play music.  But I never actually relax…ready at all times.

Who do I nominate to the mighty 5 (five bloggers and writers)?


These writers can write and DO write.  Thanks Rush.